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THE USES OF PHOTOGRAPHY: ART, POLITICS AND THE REINVENTION OF A MEDIUM. Ed. by Jill Dawsey. Museum of Contemporary Art, San Diego, 2016. Published in association with University of California Press, Berkeley. 224 pp. with 190 col. ills. 28 x 23 cm. ISBN 9780520290594 In English.
Publisher's description: The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
Indexing: Western — United States — Post-1970 — Photography
Plans: 71,01,05,07,08,17,20,22,25
Worldwide Number: 037255
Hardcover $45.00x (libraries receive a 10% discount on this title)    

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