PROVOKE: BETWEEN PROTEST AND PERFORMANCE -- PHOTOGRAPHY IN JAPAN, 1960-1975. Ed. by Diane Dufour et al. Albertina, Vienna, 2016. Organized and published in association with Fotomuseum Winterthur; Art Institute of Chicago; and Le Bal, Paris. Published in association with Steidl Verlag, Gottingen. Distributed in the U.S.A. by Artbook|D.A.P., New York. 680 pp. with 513 ills. and 108 reference ills. (31 col.). 26 x 20 cm. ISBN 9783958291003 In English.
Publisher's description: The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country's finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country's first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members -- critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama -- were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators.
Indexing: Western, Non-Western in a Western Style, Asia (Western Style) — Japan — Post-1945 — Photography
Worldwide Number: 037244
Paperbound $75.00x (libraries receive a 10% discount on this title)
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