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THE SURVIVING IMAGE: PHANTOMS OF TIME AND TIME OF PHANTOMS -- ABY WARBURG'S HISTORY OF ART. Translation of L'image survivante: histoire de l'art et temps des fantomes selon Aby Warburg (Editions de Minuit, Paris, 2002). Georges Didi-Huberman. Translated by Harvey L. Mendelsohn. Pennsylvania State University Press, University Park, 2016. 428 pp. with 93 ills. 26 x 19 cm. LC 2016-25527 ISBN 9780271072081 In English.
Publisher's description: L'image survivante, originally published in French in 2002, is the result of Georges Didi-Huberman's extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that drew from anthropology, psychoanalysis, and philosophy in order to understand the "life" of images. Drawing on a wide range of Warburg's unpublished letters and diaries, Didi-Huberman demonstrates unequivocally the complexity and importance of Warburg's ideas and the ways in which his legacy was both distorted and diffused as art history became a "humanistic" discipline. L'image survivante takes Warburg as its main subject, but also addresses broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche. Faithfully and thoughtfully translated by Harvey Mendelsohn, this first English-language edition of Didi-Huberman's masterful study of Warburg is a stirring and significant treatise on the philosophical nature of art history.
Indexing: Western, International (Western Style) — Several Periods — Several Media, Criticism/Theory
Plans: 71,55
Worldwide Number: 174025
Hardcover $79.95    

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