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ANTON HENNING: MIDNIGHT IN PARIS. Ed. by Claudia Emmert. Snoeck Verlagsgesellschaft mbH, Cologne, 2016. Distributed in the U.S.A. by Ram Publications, Santa Monica. 68 pp. 33 x 22 cm. ISBN 9783864421457 In English.
Publisher's description: Referring to the eponymous Woody Allen film in his most recent installation Midnight in Paris, Berlin-based artist Anton Henning (b. 1964) invites visitors on a journey through time exploring the artistic avant-garde of the 1920s and '30s. The full-bleed color catalog from the Zeppelin Museum, Berlin, is designed as a walk-through of the three rooms Henning filled with his paintings, furnishings and lighting as a way of framing an ironic peek into an earlier avant-garde from the present. An introduction and a brief essay by art historian and curator Claudia Emmert introduce the show's concept of "art as production / exhibition as painting" and Henning's intention "to free looking, seeing, and perceiving from the tunnel vision of isms and artistic trademarks." Henning's installations incorporate his own paintings, sculptures, lighting, three-dimensional objects, wallpaper, carpets and purchased or self-designed furniture to create interior "salons."
Artist(s):Henning, Anton
Indexing: Unspecified
Plans: 73
Worldwide Number: 173035
Hardcover $42.00x (libraries receive a 10% discount on this title)    

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