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ADJUSTED MARGIN: XEROGRAPHY, ART AND ACTIVISM IN THE LATE TWENTIETH CENTURY. Kate Eichhorn. MIT Press, Cambridge, 2016. 216 pp. with 20 ills. 23 x 15 cm. LC 2015-38276 ISBN 9780262033961 In English.
Publisher's description: This is the story of how the xerographic copier, or "Xerox machine," became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements. Eichhorn describes early efforts to use xerography to create art and the occasional scapegoating of urban copy shops and xerographic technologies following political panics, using the post-9/11 raid on a Toronto copy shop as her central example. She examines New York's downtown art and punk scenes of the 1970s to 1990s, arguing that xerography -- including photocopied posters, mail art, and zines -- changed what cities looked like and how we experienced them.
Indexing: Western — United States — Post-1970 — Graphic Arts (Prints), Several Media
Plans: 71
Worldwide Number: 170941
Hardcover $26.95x (libraries receive a 10% discount on this title)    

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