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ROBERT IRWIN: A CONDITIONAL ART. Matthew Simms. Yale University Press, New Haven, 2016. 352 pp. with 251 ills. (182 col.). 28 x 23 cm. LC 2015-27966 ISBN 9780300173833 In English.
Publisher's description: Frequently associated with California Light and Space Art, Robert Irwin (b. 1928) began as an abstract painter in the 1950s. Since that time, he has worked in architectural and outdoor interventions, developing and expanding what he terms a "conditional" art practice. He employs a wide range of media, such as scrim veils, chain link fencing, Cor-ten walls, flowering plants, palm trees, fluorescent light bulbs, and more. Ultimately, Irwin's medium is none of these specific materials, but rather perception itself -- its forms, limits, and possibilities for expansion and change. In the artist's own words, the aim of his work is to change "the whole visual structure of how you look at the world." This handsome, richly illustrated volume is the first book devoted to an in-depth investigation of the entirety of Irwin's career, tracing the development of Irwin's ambitions from his earliest canvases to his most recent light installations. Drawing on a wealth of primary sources, including the artist's library and his published and unpublished writings, Matthew Simms surveys the full scope of Irwin's creative output, the reception of his work, and its multiple aesthetic and historical contexts.
Artist(s):Irwin, Robert
Indexing: Western — United States — Post-1945 — Several Media, Installation Art, Criticism/Theory
Plans: 71,54
Worldwide Number: 170807
Hardcover $65.00x (libraries receive a 10% discount on this title)    

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