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CYCLES, SEQUELS, SPIN-OFFS, REMAKES AND REBOOTS: MULTIPLICITIES IN FILM AND TELEVISION. Ed. by Amanda Ann Klein and R. Barton Palmber. University of Texas Press, Austin, 2016. 360 pp. with 50 ills. 22 x 15 cm. ISBN 9781477308172 In English.
This title is offered as a special-order item. Hardcover edition also available; see Worldwide 170295. Publisher's description: With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities -- while loved by fans who flock to them in droves -- tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films.
Indexing: Video/Film/Performance
Plans: 71
Worldwide Number: 170296
Paperbound $29.95x (libraries receive a 10% discount on this title) nota bene: See Comment Above.

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