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THE VISIBLE AND THE INVISIBLE: ON SEVENTEENTH-CENTURY DUTCH PAINTING. Translation of Das Sichtbare und das Unsichtbare (Bohlau Verlang, Cologne, 2009). Daniela Hammer-Tugendhat. Walter de Gruyter, GmbH, Berlin, 2015. Published in association with Universitat fur angewandte Kunst, Vienna. Edition Angewandte. ISSN 1866-248X. 340 pp. with 203 ills. (158 col.). 25 x 18 cm. ISBN 9783110426908 In English.
Publisher's description: The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern "bourgeois". It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today.
Indexing: Western, Europe — Netherlands — 1600-1800 — Painting
Plans: 73
Worldwide Number: 169242
Hardcover $70.00x (libraries receive a 10% discount on this title)    

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