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DISASTER DRAWN: VISUAL WITNESS, COMICS AND DOCUMENTARY FORM. Hillary L. Chute. Belknap Press of Harvard University Press, Cambridge, 2015. Copyright 2016. 372 pp. with 66 ills. (35 col.). 24 x 17 cm. LC 2015-17876 ISBN 9780674504516 In English.
Publisher's description: In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first "Maus" story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of "atomic bomb manga," the comic book Ore Wa Mita ("I Saw It")--a title that alludes to Goya's famous Disasters of War etchings. Chute explains how the form of comics--its collection of frames--lends itself to historical narrative.
Indexing: Western, International (Western Style) — Several Periods — Drawing and Watercolor, Criticism/Theory
Plans: 71
Worldwide Number: 167677
Hardcover $35.00x (libraries receive a 10% discount on this title)    

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