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ISA GENZKEN. Ed. by Lisa Lee. MIT Press, Cambridge, 2015. October Files. 216 pp. with 54 ills. 24 x 16 cm. LC 2014-19595 ISBN 9780262028417 In English.
Publisher's description: Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres.
Artist(s):Genzken, Isa
Indexing: Western, Europe — Germany — Post-1970 — Sculpture — Women Artists
Plans: 71
Worldwide Number: 164514
Hardcover $35.00x (libraries receive a 10% discount on this title)    

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