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JOHN KNIGHT. Ed. by Andre Rottmann. MIT Press, Cambridge, 2014. October Files, 16. 212 pp. with 58 ills. 24 x 16 cm. LC 2013-25302 ISBN 9780262026888 In English.
Paperbound edition also available; see Worldwide 159369. Publisher's description: For more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy notions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and economic conditions of varied sites, his works systematically challenge notions of object, sign, context, authorship, and value, and they confront audiences not only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art and design as well as corporate culture at large.
Artist(s):Knight, John
Indexing: Western — United States — Post-1945 — Several Media, Criticism/Theory — Conceptual Art
Plans: 71
Worldwide Number: 159368
Hardcover $38.00x (libraries receive a 10% discount on this title)    

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