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ABJECT SPACES IN AMERICAN CINEMA: INSTITUTIONAL SETTINGS, IDENTITY AND PSYCHOANALYSIS IN FILM. Frances Pheasant-Kelly. I.B. Tauris & Co. Ltd, London, 2013. International Library of Cultural Studies, 18. Distributed in the U.S.A. by Palgrave Macmillan, New York. 288 pp. with 3 ills. 22 x 15 cm. ISBN 9781848855977 In English.
Publisher's description: American cinema abounds with films set in prisons, asylums, hospitals and other institutions. Rather than orderly places of recovery and rehabilitation, these institutional settings emerge as abject spaces of control and repression in which adult identity is threatened as a narrative impetus. Exploring the abject through issues as diverse as racism, mental illness or the preservation of bodies for organ donation, this book analyses a range of films including The Shawshank Redemption (1994), Full Metal Jacket (1987) and Girl, Interrupted (1999) through to cult films such as Carrie (1976) and Bubba Ho-tep (2002). By analyzing scenes of horror and disgust within the context of abject space, Frances Pheasant-Kelly reveals how threats to identity manifest in scenes of torture, horror and psychosexual repression and are resolved either though death or through traumatic re-entry into the outside world. This readable and engaging tour of the abject in the institution film will be immensely valuable to students of Film Studies, Critical Theory and Cultural Studies.
Indexing: Western — United States — Post-1970 — Video/Film/Performance, Criticism/Theory
Plans: 73
Worldwide Number: 158638
Hardcover $96.00x (libraries receive a 10% discount on this title)    

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