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CHROMATIC ALGORITHMS: SYNTHETIC COLOR, COMPUTER ART AND AESTHETICS AFTER CODE. Carolyn L. Kane. University of Chicago Press, 2014. 352 pp. with 144 ills. (123 col.). 26 x 18 cm. LC 2013-33872 ISBN 9780226002736 In English.
Publisher's description: These days, we take for granted that our computer screens--and even our phones--will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early 70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were--built with the massive postwar number-crunching machines, these first examples of computer art were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived.
Indexing: Western, International (Western Style) — Post-1945 — Electronic Media/Computer Art, Criticism/Theory
Plans: 71,54
Worldwide Number: 158453
Hardcover $45.00x (libraries receive a 10% discount on this title)    

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